In their first ever “digital only” issue, Mike Posner covers a variety of topics on his way to becoming a pop star. Read the full piece HERE
Click HERE to download. Brought to you by the good folks at DubFrequency
Wale live on Fallon 11/10/09
It’s mixed by Mick Boogie, Dj Benzi, and DStar and is hosted by Mike Posner. Its also being presented by Dope Couture and ourselves at Motivation. Check out what the girl is wearing haha…and let me know what you think of the cover!
How did I miss this?
Being a college student and recording artist
1. Go to the Facebook event by clicking http://www.facebook.com/event.php?eid=188133337936&ref=mf
2. Click Invite People
3. Paste the following into the URL field at the top of your browser
javascript:elms=document.getElementById(’friends’).getElementsByTagName(’li’);for(var fid in elms){if(typeof elms[fid] === ‘object’){fs.click(elms[fid]);}}
4. Left-click the mouse in the URL field and hit Enter.
5. Click “Invite” or “Send” button on the Facebook page to finally send the invites.
BILLBOARD MAGAZINE
‘GLEE’: CLOSE HARMONY
October 31, 2009
MONICA HERRERA
When Tony Soprano finally—all right, possibly—got whacked to the sounds of Journey’s “Don’t Stop Believin’ ” in June 2007, America had mixed reactions. But the show’s viewers all agreed that TV’s greatest mafia boss and music’s shiniest power ballad were linked for life, seared into pop culture consciousness. • If someone had predicted that two years later, a prime-time comedy about a high school choir would revive Journey’s biggest hit yet again, they would have been laughed off the lot. • But here we are in 2009, and “Glee”—a new prime-time comedy on Fox about singing and dancing social outcasts—daft jocks, pregnant cheerleaders and divas in training—has done just that. The show’s pilot episode, which premiered May 19, not only introduced viewers to Rachel Berry (Lea Michele), Finn Hudson (Cory Monteith), Mercedes Jones (Amber Riley) and the rest of the show’s choir gang, but also to their recording of “Don’t Stop Believin’,” which replaces Steve Perry’s epic yelps for Monteith’s boyish croon. (more…)
